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This 1937 funny thriller is one of the first grand masterpieces of Alfred Hitchcock. Based on Ethel Lina White’s original, THE WHEEL SPINS, it mixes laughs and chills better than fair about any other film, before or since. A nervous bride-to-be (ravishing Margaret Lockwood) meets a sweet elderly woman (the shapely Dame May Whitty) on a sing gallop through Europe to London fair before WWII. Also aboard: a sportive musicologist (Michael Redgrave), a pair of adulterers (Cecil Parker and Linden Travers), a unruffled German doctor (Paul Lukas), two delightfully fussy cricket fans (Basil Radford and Naunton Wayne), and a mysterious nun (Catherine Lacy) wearing sexy high heels under her habit. When the veteran lady disappears from the gripping mutter, the young heroine investigates, and everyone else aboard insists that she is mistaken–there never was any faded lady….
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I can contemplate of no higher tribute to Hitchcock than the fact that so many original hit films are virtual remakes of his classic gems. DISTURBIA is REAR WINDOW recast with unique teens, and the 2005 Jodie Foster thriller, FLIGHTPLAN, was an unofficial remake of THE LADY VANISHES with an airliner standing in for the train–right down to the notorious “fingerprint on the window.” Why do unique filmmakers preserve imitating the Master’s films? Watch for yourself. This modern, 2-disc reissue from Criterion has a lot of extras and a newly remastered print of the film itself. It’s a must for fans and newcomers alike. Highly Recommended.
Criterion has honest released the unique 2-disc transfer of 1938’s “The Lady Vanishes”, Alfred Hitchcock’s last grand British effort; filmed objective before he was swallowed-up by David O. Selznick and Hollywood. Impartial before the war, the shapely young Iris(Margaret Lockwood), traveling across Europe by roar, meets the governess Miss Froy(Dame May Whitty), a charming outmoded spinster, who promptly disappears into thin air. In fact, no one even recalls having seen the stale lady aboard the instruct. Iris turns sleuth, and soon finds herself drawn into a complex murder-mystery and robust adventure. The fictitous country where most of the fable takes location is named in the movie by Miss Froy in her first scene: “Bandrika is one of Europe’s few undiscovered corners”. “The Lady Vanishes” is a savor record, two daffy, English gents, and two car-loads of Nazi’s, all tossed together in a intellectual, devilish droll thriller. Silly English humor keeps the proceedings consuming along. In one scene, Iris complains: “Hello, Boris? Miss Henderson speaking. Spy, someone upstairs is playing musical chairs with an elephant. Fade one of them out, will you? I want to catch some sleep”. A worthy cast includes Margaret Lockwood, Michael Redgrave, Paul Lucas, and Dame May Whitty. As the redoubtable Miss Froy, Whitty easily steals the entire film. The final sequence is fair short of perfect. Dame May Whitty died at age 82 from cancer in Beverly Hills, shortly after her scenes in the movie “The Imprint of the Ram(1948) “. She once said, “I’ve got everything Betty Grable has…only I’ve had it longer”. Modestly budgeted, “The Lady Vanishes” was shot on studio stages, and relied on miniatures, rear-projection, stock footage, transparencies, and one ninety-foot-long railroad location. The precise meat of the film is it’s nimble acting and dynamic screenplay. There’s a lot to chew on here. Criterion released “The Lady Vanishes” in 1998 with less results; it suffered bad video and sound drop-out. There is one drop-out at 18 minutes into the film, but otherwise you have a high-quality transfer. This novel high-definition digital transfer was taken from a 35 mm composite fine-grain master clear, and audio restoration has reduced clicks, pops, and mumble. Extras include audio commentary by Bruce Eder(a runt dry), “Crook’s Tour”, a 1941 feature with Basil Radford and Nuanton Wayne reprising their roles from “The Lady Vanishes”, Francois Truffaut’s 1962 interview with Alfred Hitchcock, a unique video essay by scholar Leonard Leff, an essay by critic Geoffrey O’Brien, photos, and art. Alfred Hitchcock made 37 cameo appearances in his films(from 1926 to 1976) . 90 minutes into “The Lady Vanishes”, you can watch him walking along the platform of London’s Victoria Location, wearing a gloomy coat and puffing on a cigarette. Alfred Hitchcock changed the diagram movies are made; both long ago, and factual up until the slay. We’re so cheerful he did.
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